For the Birds

Bird house silhouettes II

The last NZ Festival in 2014 included an event called Power Plant which was a trail of light and sound installations set up in the Wellington Botanical Gardens. It was a well recieved and popular event so there was a follow-up organised for this years festival called For the Birds. As the name suggests this new event had its influence in our feathered friends and overall it was a more thoughtful and relaxed experience while still encouraging interaction and cultivating a sense of wonder.

Books, birds and bird houses
Books, birds and bird houses (Cuckoo Ensemble – Artist: Jony Easterby)

 

Talking, glowing eggs
Talking, glowing Huia eggs (Nests – Artist: Marcus McShane)

 

Now extinct
Now extinct, the eggs of the Haast’s Eagle (Nests – Artist: Marcus McShane)

Initially the installations were mostly static with small moving parts and subdued lighting. The bird houses above had small bellows that sounded in cycles, mimicking somewhat mournful two note “cuck-oo” calls. The glowing eggs I found very engaging and very relevant. There were a number of nests containing eggs, each set representative of a species of New Zealand bird now extinct. The eggs glowed in time to an audio track of conversation between the birds inside the eggs and their hunters, for instance the unhatched Huia bemoaning that people would want their feathers when they look much better on the bird as intended. There was a lot of humour in the conversations as well which I found helped with the engagement.

Mysterious birds
Mysterious birds (Owls & Kingfishers – Artist: Mark Anderson)

Movement began to be introduced with installations traversing large areas. The mysterious calls of the Owls and Kingfishers piece came from small devices attached to long wires that were strung between trees and above the stream bed. We’d turn as we heard one approach and then watch as they came towards us and then disappear as the lights dimmed at the end of their path, only to spark up and pass back again a short time later. Alayna found it a little disconcerting but that was understandable for a 2 and half year old up well past her bedtime. I just wanted to find a space where I could try and get some photos without interrupting the constant flow of fellow visitors.

The glowing tunnel
The glowing tunnel (Feather Arch – Artist: Ulf Pedersen)

A glowing tunnel gradually formed as we walked up a slope, first appearing as lights in the distance and then becoming ephemeral walls and ceiling around us as the light source was approached, light becoming stronger and then fading as the smoke was pushed across the path. It was a beautifully still night so the smoke moved and dissipated slowly keeping the structure of the tunnel very well defined as passers by waved their fingers through the projection.

Birds through the wires
Birds through the wires (Piano Migrations – Artist: Kathy Hinde)

A crowd had formed in from of the Piano Migrations installation watching as shadow birds fluttered through the upended piano strings, their movement apparently touching on strings to make a strange music. Is was quite mesmerising, attested by the amount of time people stood by and took it all in.

Bird house silhouettes
Bird house silhouettes (Shadow Birdcages – Artist: Jony Easterby)

 

The bird arch
The bird arch (Lapwing Display – Artist: Jony Easterby)

 

How it works
How it works (Shadow Birdcages – Artist: Jony Easterby)

We came out of the forest into the dell that is the Troupe Picnic Lawn with a number of works scattered around. The Shadow Birdcages attracted a number of people who often posed to have their own shadow portrait captured with the bird cage silhouettes. Keryn and Alayna were immortalised in kind as evidenced at the top of this page. Stepping around the screen the birdcages could be seen and provided a separate interesting sight, hanging suspended while bathed in light.

Off to one side the silent outlines of lapwing flew up and then down into the still surface of the stream that defined the lower edge of the dell. The reflections completed the loop, an endless mirrored flight.

Looking at the spinning feathers
Looking at the spinning feathers (Feather Dervishes – Artist: Mark Anderson)

 

Cello and nightingale
Cello and nightingale (Nightingales with Cello – Artists: Kathy Hinde & Jony Easterby, Cellist: Elena Morgan

The path then headed upwards and opened out as we neared the Cockayne Lawn and rock gardens. Alayna enjoyed watching the Feather Dervishes and was quite keen to touch them as well, something we had to quietly dissuade. A number of large white feathers were spinning while lit by bright white lights and made an intriguing spectacle. All around the trees and vegetation was lit in an array of dusky autumnal colours providing a warm and inviting atmosphere. There was a variety of installations and near the end we stood and listened as cellist Elena Morgan played counterpoint to a recording of nightingales.

All up it was a wonderful walk full of interesting and thought provoking sights and sounds. We can’t wait to see what amazing event may came along during the next NZ Festival.

Leave a Reply

Your email address will not be published. Required fields are marked *